Now in it’s 14th year, Instituto Multimedia DerHumALC’s (IMD) International Human Rights Film Festival has brought films focusing on human rights and environmental issues from all corners of the globe to Buenos Aires.
Still from Australian film 'Abendland'
The festival is putting on a mixture of short, medium and long documentary and fiction films, consistently focused on global human rights – a subject that occupies the consciousness of Latin Americans and Argentines due to a far too recent heritage of dictatorships, civil wars and social movements. It therefore makes it fitting for this consciousness to be embodied in the film festival’s theme this year: Identity.
“We chose the issue of Identity because we see it, metaphorically speaking, as a tree deeply rooted in the past to bloom in the actions and choices of the present,” explains IMC festival director, Florencia Santucho.
“Just like the branches and leaves turn towards the sun in search of vital energy, each person needs their identity to freely develop their potential and choose their own path.”
The Greek documentary The Argentina Experiment, one of the films running for the festival’s Feature Films Official Competition, illustrates this mentality by investigating how identity can be derived from the development of present decisions from the actions of the past. It follows Greek director Yorgos Avgeropoulos’s return to Argentina ten years after the economic crisis to see if Greece can learn fiscally from Argentina’s example.
Although constantly framed by the theme of identity, the festival branches off into many sub-topics covering a diverse range of issues, both international and national – from the environment, native peoples, childhood and youth, to migrants and gender views. The festival casts a wide scope, showing films on Colombia, on the Middle East, the Arab Spring, while also opening the ‘window’ to controversial political movements in Venezuela and Cuba.
Films competing in the Feature Films Contest include the Austrian documentary Abendland (meaning ‘evening land’ in German), a critical commentary on the Europe’s addiction to technology and security, and the influence of the Western world. In Acorzado, a Mexican fictional entry, the protagonist decides to make a raft from his neglected taxi and sail off for a better life in the USA, only to find himself in Cuba. The British documentary Cocaine Unwrapped on the other-hand offers a start to finish look at the cocaine trade and asks some important questions about the way governments are fighting back against the industry.
Each film in the festival teaches the viewer lessons on the way we look at life – from Journey to Portugal’s questioning of border control’s treatment of people, to the Canadian short documentary, Keepers of the Water, chronicling the plight of group of children protesting about environmental crime.
Putos Peronistas, Cumbia de un Sentimiento is in competition this year.
This year’s festival also sees the addition of the National Film Contest category, which focuses on homegrown talent. Drawing on the central theme of identity, Sin Punto y Aparte (No Full Stop) follows its director’s return to Argentina after fleeing to Israel during the military dictatorship, and discovering the role of Judaism in modern day Argentina. Putos Peronistas, Cumbia de un Sentimiento (The Peronist Fags, Cumbia Feeling) tells the fascinating story of a revolutionary political group of Peronist homosexuals in a district of Buenos Aires. Also catch the woman’s prison based Captive Moons, and the documentary Jopoi, All Together, on the legacy of Paraguayan indigenous language.
As festival director Florencia Santucho explains, each film corresponds to a “social memory [which] is deeply rooted to the identity of all communities where each and everyone knows who he or she is in view of the sum of past experiences, present commitments and future objectives.”
Through others’ exploration of identity the festival tries to make the viewer question their own perceptions, asking, “how much does the judgement of others influence our perception of ourselves?” The theme of Identity isn’t just there to tie the films together neatly; it’s also a recommendation on how to view these films.
All films are showing in ten venues across the city from the 23rd to the 30th May. For more information see the IMD festival’s website for the programme.
The post On Now: Human Rights Film fest appeared first on The Argentina Independent.